duke of ferrara
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Alfonso I, (born July 21, 1476, Ferrara, Duchy of Ferrara—died Oct. 31, 1534, Ferrara), duke of Ferrara from 1505, a noted Renaissance prince of the House of Este, an engineer and patron of the arts. Tomb of Alfonso d'Este and Lucrezia Borgia, Ferrara. In addition, he was the sponsor of the Concerto delle donne, a type of group which was to be copied all over Italy. Left no descendants. Alfonso II d'Este (24 November 1533 – 27 October 1597) was Duke of Ferrara from 1559 to 1597. Alfonso d'Este (21 July 1476 – 31 October 1534) was Duke of Ferrara during the time of the War of the League of Cambrai.
They were led away to two cells in the Torre dei Leoni. He was the son of Ercole I d'Este and Leonora of Naples.
In both of his portraits by Titian, (Compare illustration above) he poses with his arm across the mouth of one of his cannon. These successes were based on Ferrara's artillery, produced in his own foundry which was the best of its time.
This page was last edited on 13 September 2020, at 03:34. (from 1815 also Duke of Mirandola and from 1829 Duke of Massa and Prince of Carrara), Flag of the Duchy of Modena under the Habsburg–Este family, From the Lordship of Este to the Duchy of Ferrara-Modena-Reggio, Partitions of Modena-Ferrara-Reggio under Este rule, Habsburg – Este Dukes of Modena and Reggio, 1814–1859, Habsburg – Este Dukes of Modena and Reggio, post monarchy, Prince Lorenz of Belgium, Archduke of Austria-Este, Francis Ferdinand, Archduke of Austria-Este, Prince Amedeo of Belgium, Archduke of Austria-Este, https://en.wikipedia.org/w/index.php?title=Duke_of_Ferrara_and_of_Modena&oldid=978136275, Creative Commons Attribution-ShareAlike License, Also Margrave of Milan.
Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Musicians from northern Europe who worked at Ferrara during his reign included Antoine Brumel and Adrian Willaert, the latter of whom was to become the founder of the Venetian School, something which could not have happened without Alfonso's patronage. Duke of Ferrara 1559–1597 Succeeded by The Papal States: Last edited on 26 June 2020, at 15:03. Alfonso II is the duke upon whom Robert Browning based his poem My Last Duchess. In the first year of his rule he uncovered a plot by his brother Ferrante and half-brother Giulio d'Este, directed against him and his other brother Ippolito.
Dosso Dossi produced another large bacchanal, and he also contributed ceiling decorations and a painted frieze for the cornice, depicting scenes from the Aeneid, which gained immediacy by showing the heroes in contemporary dress. [4] Luzzasco Luzzaschi served as his court organist. "Alfonso d'Este" redirects here. Left no descendants, he was succeeded by his brother. He also restored the Castello Estense, damaged by an earthquake in 1570.
He turned to Bellini's pupil, Titian, for a sequence of paintings. In 1209 Azzo VI is named the first "Marquess of Ferrara", and the title passed to his descendants, and Este Marquisate's was delegated to a cadet branch of the family. [1] Biography. Alfonso d'Este (21 July 1476 – 31 October 1534) was Duke of Ferrara during the time of the War of the League of Cambrai. As a young man, he fought in the service of Henry II of France against the Habsburgs. Co-ruled with his sons and nephews, following a pro-Este revolt in Ferrara. [1] The pallor of the marble led to the name of this room as the chamber of alabaster.
After his death the lands were partitioned between his sons.
Later, were also created the Marquisates of Modena and Reggio. Read More on This Topic house of Este: Alfonso I He was a member of the House of Este. His expenses, however, went at damage of the public treasure. The legitimate line of the House of Este ended in 1597 with him. The legitimate line of the House of Este ended in 1597 with him. Aeneas and Achates on the Libyan shore, painted by Dosso Dossi for Alfonso's camerino d'alabastro (National Gallery of Art, Washington). Alfonso d'Este (21 July 1476 – 31 October 1534) was Duke of Ferrara during the time of the War of the League of Cambrai. Soon after his accession, he was forced by Pope Pius IV to send back his mother to France due to her Calvinist creed. There are documents from Mario Equicola on 9 October 1511, noting plans for painting of a room in Ferrara, in which six fables (fabule) or histories (istorie) shall be placed. They were led away to two cells in the Torre dei Leoni. Son of Azzo VI and Alice. Let us know if you have suggestions to improve this article (requires login). This page was last edited on 26 June 2020, at 15:03 (UTC).
Search Pages. He was nicknamed North Wind and the Diamond. Following in the lead of his father Ercole, who had made Ferrara into one of the musical centers of Europe, Alfonso brought some of the most famous musicians of the time to his court to work as composers, instrumentalists and singers. Emperor Frederick III conferred Borso d'Este, Lord of Ferrara, with the Duchy of Modena and Reggio in 1452, while Pope Paul II formally elevated him as the Duke of Ferrara in 1471, over which the family had in fact long presided. Alfonso II raised the glory of Ferrara to its highest point, and was the patron of Torquato Tasso, Giovanni Battista Guarini, and Cesare Cremonini—favouring the arts and sciences, as the princes of his house had always done. to. Ercole was born at Ferrara to Nicolò III and Ricciarda da Saluzzo. Updates? https://www.britannica.com/biography/Alfonso-I-duke-of-Ferrara-1505-1534, Military History Encyclopedia on the Web - Biography of Alfonso I Este. A letter from Alfonso, dated 14 November 1514, authorized payment to Giovanni Bellini, the first painting completed for the chamber. He was a member of the house of Este. In J. Hale (Ed.
Alfonso inherited from Cardinal d'Este the poet Ariosto. London, United Kingdom: Thames & Hudson. When Alfonso’s grandson Alfonso II d'Este -- Robert Browning's duke of "My Last Duchess" [3] -- produced no male heir, the main d'Este line died out. In 1529 Alfonso created the most magnificent gallery of his time, his studiolo or camerino d'alabastro ('small alabaster room'), now usually known as his "Camerino", in order to better display his works of art against white marble-veneered walls under a gilded ceiling[1]. Italy comprises some of the most varied and scenic landscapes on Earth and is often described as a country shaped like a boot. He also tried, vainly, to be elected king of Poland and to organize a crusade against the Turks. In J. Hale (Ed. His expenses, however, went at damage of the public treasure. This marriage was arranged by Cesare to consolidate his position in the Romagna. Musicians from northern Europe who worked at Ferrara during his reign included Antoine Brumel and Adrian Willaert, the latter of whom was to become the founder of the Venetian School, something which could not have happened without Alfonso's patronage. Alfonso d'Este (21 July 1476 – 31 October 1534) was Duke of Ferrara during the time of the War of the League of Cambrai. For the later duke of this name, see, Bryson Burroughs, "The Portrait of Alfonso d'Este by Titian", Articles incorporating text from Wikipedia, People excommunicated by the Roman Catholic Church, "Reconstructing the Duke's private gallery", https://military.wikia.org/wiki/Alfonso_I_d%27Este,_Duke_of_Ferrara?oldid=4409401.
Following in the lead of his father Ercole, who had made Ferrara into one of the musical centers of Europe, Alfonso brought some of the most famous musicians of the time to his court to work as composers, instrumentalists and singers. I have already found them and have presented them in writing."
Soon after his accession, he was forced by Pope Pius IV to send back his mother to France due to her Calvinist creed. London, United Kingdom: Thames & Hudson. When Alfonso’s grandson Alfonso II d'Este, Robert Browning's duke of "My Last Duchess" [5], produced no male heir the main d'Este line died out. He turned to Bellini's pupil, Titian, for a sequence of paintings. He was succeeded by his cousin Cesare. Given his childlessness amongst multiple marriages, this additional fact has prompted some historians to speculate that the Duke was homosexual. Ferrante died in his cell after 34 years of imprisonment, while Giulio held on until he was pardoned in 1559, after fifty-three years of imprisonment. More important for the dynasty, however; was the fact that, though Alfonso II had three marriages,… [2] Over the next two decades, Titian added three more paintings: The Worship of Venus[3] (Museo del Prado, Madrid), The Bacchanal of the Adrians[4] (Prado, Madrid), and Bacchus and Ariadne (National Gallery, London). Alfonso II d'Este (24 November 1533 – 27 October 1597) was Duke of Ferrara from 1559 to 1597. In September 1506 a trial for Lese-Majesty and high treason was held and, as expected, the death sentence was passed, but just as Ferrante and Giulio were about to mount the gallows they were informed that the duke had commuted their sentence to life imprisonment. As a result of Alfonso's death Cesare d'Este and his family were "obliged to leave the city" and the power of the government was there after turned over to the cardinal legate.([3]). Emperor Frederick III conferred Borso d'Este, Lord of Ferrara, with the Duchy of Modena and Reggio in 1452,[1] while Pope Paul II formally elevated him as the Duke of Ferrara in 1471, over which the family had in fact long presided. Content is available under CC BY-SA 3.0 unless otherwise noted.
Nonetheless, this latter territory was lost to the Papal States in 1597, while the Estensi continued to rule the Duchy of Modena and Reggio in the Emilia until 1796, when it became part of Napoleon Bonaparte's Cispadane Republic. He was the elder son of Ercole II d'Este and Renée de France, the daughter of Louis XII of France and Anne of Brittany and was the fifth and last Duke of Ferrara.[1]. It is a dramatic monologue in which the speaker is the Duke of Ferrara addressing a silent listener. In the first year of his rule he uncovered a plot by his brother Ferrante and half-brother Giulio d'Este, directed against him and his other brother Ippolito. Top Tag’s. In both of his portraits by Titian, he poses with his arm across the mouth of one of his cannon.
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