literary stylistics pdf
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%PDF-1.5 Df�X�. Introduction. ��J�+�!-�8c��ga�����`�Ӱ�Qʐd��Ugf�Es�� Ќ~!H�iZ aُᤋ�O��W.�� endobj The variety in stylistics is due to the main influences of linguistics & literary After observation, linguistic patterns and changes to those patterns are recognized. x��Zm�۶���~�:w�'���N[�v�o��|�%މ�D*$u���/ P�$7m2s!`���}�YPw�m_=�����/��r�}�����f�����]y��x�ꢯ�����~xx���O��{x|�Bx!�/�ByI�a�=l_��4V�m�d?���/_|��-n�_ԋ[�?��o�T."߫`(����ܧ/W��*? �۽r�4$�g�A���OqwA��0��*�Y��5 E��@4B��p$S�+ǽ�>��+��4IRm�d��ʔL�����\o0�#��ke��djWMA���2�d��M~�@7/�M��7Ν�V���S�D7�˚ӔJ�ѱ=@���>� t���!s�������y`�ہ(m�υ�0$�e�� 3 0 obj Stylistics is the study of textual meaning. <> <> Introduction To Literary Stylistics Where lexis is concerned, stylistics is a way of exploring the literary meanings from a text. Stylistics is a branch of applied linguistics, originated as a way of applying linguistic models to literary text. PDF | This is my (invited) entry for "stylistics" in the second edition of the Oxford International Encyclopedia of Linguistics (2003). <>>> / I wandered lonely as a cloud. stylistics. Stylistics is a means of relating disciplines and subjects, as shown in the following diagram: x��[K�^��|��.g����������0Y��$+�$"��}�Ω��_F������t��v�������믟���W����ū�ۿ.7ns�s·��V��rrۧח��}�}��s�sŻt5��W���^n�ox�m��6xq�y�'���˗�o.7~��6��������^�v�^G��?_n~�}��ͻ�~{w�,�~��y����l?����ݳp��3G>��}�������/��x�oW���\����#؞��e�������t\���9��.uw��9,��Ӿݵ���{�yW��x�����㵂O�Szb�/X���f�W�r{K[n���߽���뾽�������|l{H�^/轭���l�î��=�-�����WB�CE=��iO(��A'��W!�]>�y� a��B���QV;+r��mK�o�pչ�L�QPja���1�������|�T�� endobj Stylistics provides a student a systematic and logical approach. This article examines the ways in which a stylistic approach to translation affects the reading of the source text and the writing of the target text. 1 0 obj Widdowson (1975) defines it as “the study of literary discourse from a linguistic orientation”. x��G�y��h�����="��� %맅}�:�ԖQ���P�zU�r���vf[%�@��*{��J�����[��#j@��\�s�*��s�@w�̣�����h��Ea4Y�A��%"s8� ���g���S-^e��"�)�����a%�:Z��s+�8��y{ǹ��\��˳�Ǹ51q�ks�L�V�¶|������8�Az"0ߗE�^c|��f����� � �i������~Zc�o���L�ڛ�{K+��g��z�}�!��u�BS���?��D(������6�"����7��C J� 4�������n�U�ɦ�mB��}�=�|x�hΚ��5���l̪pK-���f�!a��1s�#1&�3S)57W��\[����מw�����o�x�UX��Y��s������TK�7�5Q`�;r�),#�@��X*��W��|����t�~���A�8����Ց�� o)���|[�3��Ġ�8��u.RG�su.��u�b��E�0�̇z�PYyz�TG�t� �����_�B5�cŀ`މ*p"b� Qr���Ҡ#H�ұ4e��ܣ�h_&eՋߏ��߅���xO-��. �PU�a\��2���a 2 0 obj stream 3 0 obj {}��G�SDR: endobj According to Short and Candlin (1989) stylistics is an approach to the analysis of literary texts using linguistic description. <>>> <> Stylistics is the scientific study of style, which can be viewed in several ways. 4 0 obj Through stylistics and the teaching of literature, the rules of language are exploited. <>/ProcSet[/PDF/Text/ImageB/ImageC/ImageI] >>/Annots[ 9 0 R 10 0 R] /MediaBox[ 0 0 612 792] /Contents 4 0 R/Group<>/Tabs/S/StructParents 0>> For a literary translator, understanding the style of the source text and being able to recreate similar stylistic effects in the target text are essential. Introduction Literary criticism is an important aspect of literary studies. Key words: Stylistics, Literary, Approach, Criticism, Pedagogy, Literature. Literary stylistics is a practice of analyzing the language of literature using linguistic concepts and categories, with the goal of explaining how literary meanings are created by specific language choices and patterning, the linguistic foregrounding, in the text. endobj stream endobj Stylistics is a means of relating disciplines and subjects, as shown in the following diagram: MORPHOLOGY Advert(ise) -ing lexical turn -ed derivational lexical into a business the relevance of literary stylistics to the literature classroom and new and fresh examples introduced that provide a real stimulus to thinking about textual history in relation to textual stylistics; aesthetic questions are posed alongside the role of critical linguistics in language and liter- 5)H. G. Widdowson: Stylistics involves both literary criticism and linguistics, as its morphological making suggests: the “style” component relating it to the former and the “istics” component to the latter. �H�9��V8�9T�>���.�J�s#g*Fc�W� ���T�bt�.2k�h��p���K�#B���8tI)+�����{ř��:��Di��o˰�o�S �A]��7��)q{�ur,�2�C����B*i|F�}կ�y�_��O�(���r^:�Q��W���h����o몤�s;�Y��B|����,���B�����%&j��g�C%�:b�dd����eB@M9�����d]��es]�eT�c�A�ˌO�eT��N�]F�M�;3�W}����Q0tn*A�dm�L�Lr"3���x� ����\�:g��X�P�HvZ��Ә�(q�fzMj�T˶ +�DOn�0|��L���\�f�pFs$�v mp\��C���h[QeD��>sresZǦ�^�-h�c�@�L�$ߓ�&�Hd'�H�E]MS-b�h���1Q�������h =|�"`�)�-�ԩ���T;D-����.�V�Q��X���7׆y�a��?��v6����U�+�ef鶬e���(;��[�ko�*�A�-q7J����O+
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