NOVEL THINKING

A Wolf in Cheap Clothing, Part 4 of 4. New Format.

Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Learn how your comment data is processed. Written by Kevin Ryan (Pocket Books' Star Trek novels editor), with art by Rachel Forbes-Seese and M. Heike. Cover price $1.95. Just another expendable security guard who won’t come back. Pavel Chekov takes a brief leave from the Enterprise to visit Captain Sulu aboard the Excelsior and remembers one of his earliest missions under the command of Captain Kirk, when a mysterious ship was bombarding a settlement with deadly radiation. Writer: Peter David

A Wolf in Cheap Clothing, Part 3 of 4. The Enterprise rushes to answer a distress call from Starbase 7, finding only wreckage where the base should be. Part 2 of 5. This is one such entry. The great and good Klingon Khartan has been assassinated by the alternate-timeline Worf...but even that hasn't corrected the scrambled timeline. Of course, that isn’t their real job. It’s sad because what that says about the television show itself. New Format. Cover price $1.75. It’s a reflection on one of the franchise’s most enduring clichés, and a very thoughtful piece of criticism of some of the show’s excesses. At DC’s end, Robert Greenberger was editor.

"Star-Crossed", Part 2 of 3. Screenplay by Nicholas “I should care more. Final issue. Cover by Jason Palmer. Silver Age.

Sorry, your blog cannot share posts by email. Change ), You are commenting using your Google account. You are right about it being metafictional as a commentary on storytelling techniques of the series. It’s also worth pausing to note the wonderful artwork on this single-issue story by Gordon Purcell and Arne Starr. Earlier this year, I started re-watching the original Star Trek films (featuring the original cast) on Blu-ray. “Ensigns aren’t paid to think, Mr. Lee,” Chekov bluntly states. Story by Nicholas Meyer and Leonard Nimoy. Kirk is ordered to work alongside a civilian specialist to learn the truth...but the answers may prove lethal. “Well, at least we’re safe in this encounter of the week…”, One of the best Star Trek comics ever written, and among the best Star Trek tie-ins ever written, Once a Hero… is a rather scathing criticism of that storytelling technique. A Wolf in Cheap Clothing, Part 2 of 4. New Format. Cover price $2.50. Cover price $1.75. The red shirt worn by the security division on Star Trek was just such an eye-catching visual employed so frequently (forty-three times over three years) that it stuck.

Cover price $1.95. Their real job is to convince the audience of how serious the threat of the week is. Written by Howard Weinstein, with art by Rob Davis and Arne Starr. But the delicate diplomatic negotiations are endangered by Stonn's daughter's rash behavior and Kirk's interference. Someone has tampered with time and wiped out the Romulan Empire! 3,963 992. Penciller: James W. Fry Once a Hero… is pretty scathing of the approach traditionally adopted by classic Star Trek towards its supporting cast members. JavaScript must be enabled to use this site. It’s a powerful literary device to underscore any number of themes – the way that people tend to grow apart, the fact that people don’t seem to connect any more, the random tragedy of death, the way that people take each other for granted. New Format. ... v1 Star Trek V (1989) "The Final Frontier" Peter David: James W. Fry: Arne Starr: Adaptation of the 1989 film. Stonn's deception puts delicate negotiations in jeopardy while, on the planet 'Gi, Spock attempts to reason with Stonn's rebellious daughter, whose actions have placed her and Spock in mortal danger. As a science-fiction franchise entering the nineties, it has to be less tolerant of these plot conventions and storytelling tropes. Star Trek VI: The undiscovered country We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. Cover artist: Jerome Moore, 1992 Part 4 of 5. For the first time in years, Spock meets his old rival Stonn (from the TV episode 'Amok Time') who is now an ambassador to a troubled world that the Romulans want for themselves.

Available Stock; Add to want list; Contents; Add to cart Fine . Written by Howard Weinstein, with art by Thomas Derenick and Arne Starr. The “red shirt” phenomenon has become so iconic that John Scalzi’s Redshirts – a novel playing with the narrative convention – won the 2013 Hugo Award. Cover by Jerome Moore. Cover by Jason Palmer and Jerome Moore. Cover by Whigham and Carlos Garzon. “Death has blended into death,” he reflects. Kirk does try to glamorise Lee’s death, or to turn his anonymity into some triumphant inspirational story about how unimportant people can do important things: There was absolutely nothing special about him. When Ensign Lee dares to speak up, Chekov is quick to put him back in his place. His loss will be keenly felt by the people who knew him, even if the crew are too professional to be that bothered by his death, and even if we never see anything resembling communal grief.

Arriving too late, Kirk finds the outpost wiped out, and the chilling evidence that Starfleet weapons were behind the destruction.

Given how Robert Orci has admitted a wide variety of influences, it doesn’t seem too unlikely that he could have ready Once a Hero…, (The story’s only real bum note is Kirk’s willingness to hand over his prisoners to a bunch of aliens that will gladly skin them alive. Kirk is confronted by the reality that most viewers have faced since the first or second season of the classic television show – only now does he realise how bizarre and surreal this status quo must be. Cover artist: Roger Stine, #1 1992

David’s story about his “Bruce Banner” script is strange. He was just granted more freedom to speak and develop because he happened to be a member of the main cast, rather than red shirted cannon fodder. Greenberger may have been in on this scheme, at least passively, and passed along the script to Arnold. The most obvious is that it’s Peter David’s last issue of DC’s monthly Star Trek comic, departing the comic book after a pretty bitter disagreement with Richard Arnold, who was overseeing Star Trek licensing at the time. Characters like Barclay and Guinan (and later Okowa and Sito and Ro) helped create a sense that the Enterprise wasn’t just a bunch of grunts following the regular cast around, but a community populated by characters. The mystery on the Klingon frontier world deepens as Kirk encounters an old 'friend' from Starfleet Academy and learns of a secret mission gone terribly wrong. Check back daily for the latest review. Cover by Jason Palmer. As Spock tries to persuade the Wumpars to let him search for his captain, Kirk wanders alone on an alien planet - lost in time. As noted by fellow author Christopher L. Bennett, David is hardly telling an original story here. Auction in progress, bid now! This attitude is so prevalent that it is practically engrained. Written by Howard Weinstein, with art by Thomas Derenick and Arne Starr. Cover price $1.95. Written by acclaimed Star Trek novelist Diane Duane, with art by Rod Whigham and Arne Starr.

Cover price $2.50. Star Trek: The Next Generation had already moved away from the red shirt phenomenon, partially by swapping the colours of the divisions, but also by accepting that killing crew members so casually undermined the drama instead of raising the stakes. Inker: Arne Starr At the end of Kirk's first 5-year mission aboard the Starship Enterprise, Starfleet's Intrawarp Development Project offers the promise of a revolution in spaceflight. Richard Arnold might have claimed to have been acting as a guardian of Gene Roddenberry’s legacy in his aggressive persecution of talented writers like Diana Duane or Peter David. It remains one of the few DC era Star Trek comics that current rights holders IDW have seen fit to release via comixology. Ronald D. Moore had made a similar argument in The Bonding.

More than being lazy, the concept of killing off anonymous red shirts to establish dramatic credibility was also hopelessly outdated. The Enterprise's true timeline has been restored at last, leaving Kirk, McCoy, Uhura and Sulu trapped in the past by the same temporal terrorists who destroyed the Romulan Empire. Inker: Arne Starr Inker: Arne Starr Part 1 of 5. Deluxe edition with photos.

After all, he’s just an extra. Penciller: Gordon Purcell $2.00. Writer: Peter David Written by Kevin Ryan (Pocket Books' Star Trek novels editor), with art by Rachel Ketchum and M. Heike. Interesting to find out that the concept came from a episode of MASH. Screenplay by David Loughery. All Issues; In Stock; 1 CGC; Display.

Now the Enterprise crew must once again go back into Klingon history - this time to save the life of a madman who led the Empire into bloodlust and terror. Fracote Format. “Merely do as they’re told.” The irony is obvious. That’s an absolutely stunning indictment of the storytelling model that treats red shirts as walking threat metrics. In a story set at the end of his first 5-year mission, Kirk is buried alive inside an ancient temple when a war-weary race of aliens attacks the Enterprise landing party...and does everything in its power to stop Spock from rescuing his captain. I seem to recall, and I may be wrong, that Arnold received the scripts from DC. And David is, of course, entirely correct. Lives and deaths are blurring together. Fracote Format. A Wolf in Cheap Clothing, Part 1 of 4.

The Chosen, Part 2 of 3. Painted cover by Sonia Hillios.

After all, “people are becoming cyphers” sounds almost like the self-criticism of an author guilt of writing one- or two-dimensional character. And it was the realisation that I perceived him as not being special that indicated there was something wrong with me. Cover by Chris Wozniak. Voyager and – to a lesser extent – Enterprise both fell back on the “slaughtering the crew for drama” trope.

At one point, Richard Arnold even contacted David’s co-writer Bill Mumy directly to inform him how David was a terrible human being.

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