NOVEL THINKING

Choose an adventure below and discover your next favorite movie or TV show. Yeah this is awesome, really cool to see the process video as well :thumbup: JamesArk - Thanks for the compliment! The breakthroughs and innovations that we uncover lead to new ways of thinking, new connections, and new industries. Please deactivate your ad blocker in order to see our subscription offer, Drew Struzan's composite style dominated 80s movie posters, Superhero movie poster designers seem to have developed a lazy reliance on this style, Other movie poster designers have taken a more novel spin on the style, Poppy colours and neon type were popular in the 80s, Director Nicolas Winding Refn's movie style is distinctively 80s, Recent movies and shows have embraced the 80s aesthetic, The Scorch Trials poster features a literal maze, while the poster for Allegiant is more abstract, The posters for Bridge of Spies and Saw VI shift the placement of the spiral, but to equally unsettling effect, Movie titles featured prominently in these classic poster designs, In modern film posters, the focus tends to be on the imagery rather than the movie name, Chunky red text has seen a resurgence in recent films, The best drawing tablet 2020: Our pick of the best graphics tablets, The best drawing tablets for kids in 2020, ANOTHER botched art restoration appears in Spain (and it's a shocker). 2016 techno-thriller Nerve was a blinding, flashing cacophony of neon, and the artwork for Stranger Things (not a movie, we know) is perhaps the ideal throwback, pitch perfect in its nostalgic tone, with just enough newness to bring the genre into the modern day. The poster for recent hit Baby Driver combines cast illustrations with a composite layout to create a fresh look. Drew Struzan Bio: In Drew's early life he started out spending a heck of a lot of time at Art Center College of Design picking up tips on drawing and painting. I don't build up too much colour because I still want to see the drawing underneath, which is my guide and makes everything look more alive. He is known for his work on Planet of the Apes (2001), The Mist (2007) and War of the Worlds (2005). All rights reserved. The style is characterised by that central figure struggling, running or seeking, surrounded by spinning or obscuring lines and blockages. Nirvana and Marc Jacobs' logo battle just got messier, Popular iPhone 12 accessory has a BIG design flaw. England and Wales company registration number 2008885. Hey guys! This useful visual mechanism has been reemerging in recent years to represent central figures losing themselves. He’s also very likely the guy responsible for the image in your head when you think of a beloved movie or actor from the '80s and '90s (particularly if the latter is Harrison Ford). Including 80s neon and Saul Bass-style spirals. In Photoshop I go 
to File>Automate>Photomerge and choose my scanned sections.

The following three videos outline the major components of Struzan's technique. Drew Struzan's glossy composite style has returned. So while we wait for official confirmation, here’s a look back at the vast cinematic worlds he managed to capture one image at a time. His brand is insistently rooted in the style. As Struzan acolytes like Steven Spielberg, George Lucas, Frank Darabont, and Guillermo del Toro have pointed out, he has an uncanny ability to capture both the spirit and mood of a film in one static image. The movies that are as good as the original books? Bonus points if you design the TITLE into your poster. Now I concentrate on the details. You may not recognize his name, but if you’ve seen a movie poster in the last 40 years you almost certainly know Drew Struzan’s work. From shop ThrowingChicken. The poster for Always Chasing love looks like it came directly form the 1940s, for example, with illustration surrounding the chunky title. All image rights belong to their authors. Favorite Add to Star Wars 22x34 Return Of The Jedi Drew Struzan Art Movie Poster 1983 GDEvintage. He graduated in five years, earning a B… Learn more, By

I scan the drawing in sections using a flat-bed A4 scanner. It’s a strong visual theme, and can be tweaked and adjusted to a film’s content with just a little creativity.

This video and image set shows the step by step process of how I used mixed media to create it. This blog will share the day to day happenings of the CRHS Advanced Studio. Struzan was always more a draftsman than a painter, and these inspirations tended to take on a more line and plane oriented character than a painterly one. Struzan achieved his signature look by using a heavily gessoed illustration board, layering it over with airbrushed acrylic paint, touching up the details with coloured pencils on high- and low-lights, and then re-layering with the airbrush. Baron Storey's style is often copied by Struzan, and all the Struzan wannabes out there (and there are many) are copying his style blindly without having any awareness of the really great artists/illustrators that left their indellible mark on this planet; fine illustrators that struzan constantly rips off. Bath After establishing a new layer I set the brush's Opacity to about 80 per cent and Size to about the same as the lines in the drawing. Learn more. Many websites falsely stated that it was a new Struzan poster, but they were wrong. Most recently, he created a pro-bono poster for director Dana Nachman’s Batkid Begins. September 2015 Also posted below are the criteria that we decided on for your project, as well as a link to a digital copy of the rubric. Hopefully this information is useful to you guys, and helps you solve problems along the way, in addition to everything that we do in the Studio. I go to Image Adjustments, click Invert, then choose Screen as its Layer Mode.

For this workshop I'll paint a retro film poster-style illustration. Check in to see what happened in the studio today. Then he got into doing album covers when there were still such things and when people liked to hang the artwork on their walls. He designed over 150 movie posters, including all of the films in the Indiana Jones, Back to the Future, and Star Wars film series.

The movies of writer/director Nicolas Winding Refn are at the forefront of this trend, with movie posters that whole-heartedly embrace the 80s aesthetic. Create a new layer and choose Color in the Layer Mode dialog. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Designers everywhere are taking Bass’s trippy motif and adapting it to fit new genres. Please deactivate your ad blocker in order to see our subscription offer, Traditional and digital tools combine to paint this stunning retro poster, Andreas used photo references to create rough sketches, Drawings are sketched at a larger size to retain detail, The artwork is carefully scanned to capture every line, Colours and skin tones are gradually built up, The original line work can be seen beneath the colours, The background is coloured in the same way as the characters, Andreas starts establishing detail by highlighting the brightest areas, Strong colourisation starts to bring the image to life, Tinting helps to merge the colours together, Glow effects are added sparingly for greater impact, Digital painting lets Andreas drop in an exra character, Textures are made from digital and traditional elements, Simple splashes provide the background with extra depth, Saturation is tweaked before the layers are merged, The one thing Apple DIDN'T announce at today's MacBook event, New Apple MacBook Pro and MacBook Air revealed – here's what they look like, How to draw: All the best drawing tutorials. Some are going even further back to the earliest movie poster looks, reinvigorating throwback styles by adding fresh elements. Tinting is used to help blend colours together and to develop, for example, coloured light. Think ET against the moon, Mrs. Robinson’s leg, Audrey Hepburn’s cigarette-slim black dress, Jaws spearing up through the water, an Alien egg glowing MacGuffin green. "I had to almost live up to the art that we were later going to ask Drew to create for the poster," admits Spielberg in the 2013 Struzan documentary, Drew: The Man Behind the Poster. Struzan achieved his signature look by using a heavily gessoed illustration board, layering it over with airbrushed acrylic paint, touching up the details with coloured pencils on high- and low-lights, and then re-layering with the airbrush.

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