NOVEL THINKING

This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Web. The 1920s were an essential period for jazz music, because it was a time for experimenting and inventing. Women, given the right to vote by the 19th Amendment, were welcomed in the new underground lounges. Jazz became known for including a lot of improvisation, because the original jazz musicians could not read music. Known as the Jazz Age or the Roaring Twenties, this era led to many new developments in the music world. This Prohibition-inspired trend was nearly unprecedented for an age in America when segregation was not only the cultural norm but a common government policy. This competitive club culture had mobsters such as Al and Ralph Capone of Chicago and Owney Madden of New York vying for the best performers for their drink-swilling customers.

Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. The marquee nightclubs serving liquor in New York and Chicago – known to police but frequently tolerated thanks to payoffs from club owners – became larger, noisier and more opulent as they competed for paying customers. Although a seemingly small part of the novel, music is an element that can touch all parts of our life: mental, physical, spiritual and emotional. This quote from, http://library.thinkquest.org/C005846/categories/artliter/artslit.htm>, http://www.ovtg.de/3_arbeit/englisch/gatsby/jazz_age.html>, http://reading.cornell.edu/reading_project_06/gatsby/jazz_age.htm>, http://www.trailend.org/dow-jazzage.htm>. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. At first some speakeasy owners offered live music by bands linked to vaudeville stage acts. By midnight the hilarity had increased. The new opportunities for live musicians in higher-paying clubs would foster two types of jazz in the 1920s. Other technological advances would spur the growth of jazz during Prohibition.

Coin-run phonographs playing low-fidelity acoustic records operated alongside louder, coin-run player pianos and band instrument machines as cheap entertainment in speakeasies. Many Prohibition-era jazz players were African-Americans who often performed for exclusively white audiences.

A period known as the "Jazz Age" started in the United States in the 1920s. Now that they had the help of national radio, jazz musicians were able to spread their music and popularize jazz in America. It is no surprise that Gatsby, as wealthy as he was, followed this trend as well. Some of their jazz records openly referred to illegal booze. (1929). But jazz was a better fit for the era’s party mood. ( Log Out /  This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work.

Prohibition forced tens of thousands of saloons throughout the country to shut down, but the demand for drink remained, and thousands of illegal bars, or speakeasies, soon opened. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. During the Jazz Age, it became very common for those who could afford it to have pianos and sheet music in their own houses. Next Story: Flappers and Gangsters Ruled the Silver Screen, The Mob Museum, located in downtown Las Vegas │ themobmuseum.org │ 702.229.2734 │ info@themobmuseum.org, The decade that F. Scott Fitzgerald, author of the 1925 novel, Rumrunners Delivered the Good Stuff to America’s Speakeasies, During Prohibition, Mob Bosses Tripped Up By Tax Laws, Prohibition Agents Lacked Training, Numbers to Battle Bootleggers, Key Court Rulings Enhanced Prohibition Enforcement, Women’s Rights Advanced During Prohibition, Flappers and Gangsters Ruled the Silver Screen, Prohibition Sparked a Women’s Fashion Revolution, Dating Replaced Courtship During Prohibition, Mixed Drinks Made Rotgut Liquor Palatable, Brewers and Distillers Found Creative Ways to Survive, Gold Diggers, Snuggle Pups and the Bee’s Knees, In Las Vegas, Prohibition Was Sporadically Enforced. Despite it’s widespread popularity, jazz music was actually seen by many, particularly the older generation, as an evil influence. ( Log Out /  Within two years, more than 550 licensed radio stations operated across the nation. Jazz became known for including a lot of improvisation, because the original jazz musicians could not read music. As Armstrong, Oliver, Ellington and many top black jazz musicians attained national fame in the 1920s, they felt pressure from Mob-owned clubs. The club served white audiences and dignitaries such as Chicago Mayor Jim “Big Bill” Thompson. By the mid-1920s, jazz was being played in dance halls and roadhouses and speakeasies all over the country. Vocalists were not usually seen with jazz bands until 1930. Change ), You are commenting using your Twitter account. Inspired by the novel The Great Gatsby, these songs represent my interpretation of the era, the conflict and the characters. But the illicit club culture would go on to promote integration, leading to what were known as “black and tan” clubs with multiracial crowds. They saw the unusual offbeat rhythms and strange melodies as disagreeable and vulgar. The time of the most influential recordings of a song, where appropriate, is indicated on the list.

The new music also brought about a new instrument, the saxophone. Above is a photograph of the Wolverine Orchestra, an example of a typical jazz orchestra in the 1920’s.

Bar owners soon were hiring small jazz bands with local players to furnish background or dance music.

Soon, the popularity of jazz soared as more records were cut, top musicians performed in clubs in New York and Chicago and the music was broadcast on the airwaves.

He liked jazz and installed his brother, Ralph, to run their finest nightclub, the Cotton Club, in the Chicago suburb of Cicero. The picture shows a wide variation of the different instruments used.

One of Smith’s songs, called “Me and My Gin,” included the refrain, “Any bootlegger sure is a pal of mine.” Armstrong recorded a popular song about drinking titled “Knockin’ a Jug.”. ( Log Out /  In fact, F. Scott Fitzgerald himself was no stranger to this sort of lifestyle. Fitzgerald creates the image of a jazz band at Gatsby’s party, stating.

“Jazz Age.” Das Otto-von-Taube-Gymnasium in Gauting. Many jazz bands featured the following instruments: “There was dancing now on the canvas in the garden, old men pushing young girls backward in eternal graceless circles, superior couples holding each other tortuously, fashionably and keeping in the corners–and a great number of single girls dancing individualistically or relieving the orchestra for a moment of the burden of the banjo or the traps. That culture advanced the careers of major jazz performers such as Louis Armstrong, King Oliver, Duke Ellington, Fats Waller, Paul Whiteman, Bix Beiderbecke and jazz itself as an art form. Many young women rebelled against the restrictions on “ladylike” behavior and dress of the Victorian age, becoming liberated “flappers” or what Fitzgerald would call “good-time girls.” The combination of jazz and liquor-infused partying by men and women characterized this period known as the “Roaring Twenties,” inspiring dance crazes such as the “Charleston,” “Fox Trot,” “Shimmy,” “Toddle” and “Lindy Hop.”.

Soon, white Americans began to pick it up too, and the mix of European and African styles formed a new genre of jazz that was wholly American. [4], Bogdanov, Woodstra & Erlewine 2002, p. 201, Bogdanov, Woodstra & Erlewine 2002, p. 140.

Popular numbers in the 1920s were pop hits such as "Sweet Georgia Brown", "Dinah" and "Bye Bye Blackbird". White jazz artists who also won national reputations during the era included Whiteman, a band leader nicknamed the “King of Jazz,” and Beiderbecke, the hard-drinking cornetist, pianist and recording artist.

Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. Through careful listening and analysis, they allow us to look more deeply at the novel. It came first from the African American community and was a form of blues. The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. In The Great Gatsby, Fitzgerald writes, “The lights grow brighter as the earth lurches away from the sun and now the orchestra is playing yellow cocktail music and the opera of voices pitches a key higher.”. ( Log Out / 

Unlike anything that Americans had listened to before, it presented the nation with new sounds that were loud, syncopated and sultry.

Web. Recordings of jazz and blues music had been sold as “race records” since 1917 and played on acoustic phonographs, both home models and the coin-operated variety in arcades.

The new opportunities for live musicians in higher-paying clubs would foster two types of jazz in the 1920s. However, it was not until the 1930s that musicians became comfortable with the harmonic and melodic sophistication of Broadway tunes and started including them regularly in their repertoire. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. However, this did not stop jazz from becoming immensely popular within the younger generation. Armstrong and Ellington were among the jazz acts in highest demand. Some mobsters used enforcers to threaten players into signing performing contracts or extorted money from them.

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