NOVEL THINKING

Two bars of tonic (Cm) then two bars of IVm (Fm) followed by a cadence to Cm (Dm7b5 G7 Cm7) and a cadence to Db: (Ebm7 Ab7 Dbmaj7) and then a cadence to Cm again. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. Due to spam, all comments are moderated before appearing on the site.

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It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you. Most people have an easier time hearing the melody in the back of your mind as a way of keeping track of where you are in the form.

Shifting up and down the neck is going to make it much more difficult to play logical melodies and almost impossible to do some of the exercises. The maze (trumpet solo by F. Hubbard – C/Bb inst.) AFoolProofPlan. Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases. Join the conversation via an occasional email.

This will not only help practicing the arppegios but also build your sense of the form of the song and help you hear the chords moving and when they change.

Another trumpet transcription of Roy Hargrove soloing over Strasburg St. Denis was posted earlier in this … Blue Bossa (sax solo by D. Gordon – C/Bb inst.) In text, transcriptions link to a PDF download of the transcription.

Since the goal of this lesson is to improvise fluently with well connected melodies using the arpeggios, I have written out all the arpeggios around the 8th position.

Posted by … The song is in the key of C minor. The Db you need to treat as a modulation though it could also be seen as a neapolitan subdominant chord (You can read more about these here: IV minor chords). (McCoy Tyner) 0: 579 2020/06/23: 2020/06/23: HalfNelson "For Spee's Sake" by ... George Colligan’s solo on “I’m Getting Sentiment: 0: 1245 The next thing that I’d suggest that you start working on is connecting the arpeggios.

I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there. His excitement warms my heart! My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now. BECOME A MEMBER TODAY AND SAVE BIG ON EACH LESSON!

1 part • 5 pages • 04:13 • May 09, 2020 • 207 views • 5 favorites.

... Blue Bossa - Dexter Gordon Solo Transcription. I also discuss this way of making melodies in another lesson that you can check: Target Notes You will notice in the solso I improvise in the video that I am not too concerned with target notes unless the chord is changing. Stablemates (guitar solo by W. Montgomery) Bolivia (vibe solo by M. Jackson) Swing spring (sax solo by J. Henderson – C/Bb inst.) As I demonstrate in the video the thinking behind making harmony clear in a solo line is to target certain notes of the strong beats (in this case the 1). Saxophone (Tenor) Blue Bossa UNFINISHED. In this lesson I’ll present a set of arpeggios, some exercises, target notes and strategies for making solos where you can hear the harmony in the improvisation. Besides just practicing each arpeggio it is a very good idea to work on playing the arpeggios in different patterns. The best place to start is to just use the 3rd of each chord as a target you can quickly expand this to other notes but the 3rd is fairly safe and easy to hear.

Transcriptions More Information Home About FJI Departments Linear Jazz Improvisation ... Blues for Gwen. Stare case – Giant Steps changes (sax solo by L. Konitz – C/Eb inst.) Thank you for the wealth of helpful lessons you’ve provided over the years. If you count the chords you’ll see that we have 7 different chords. Blue Bossa Big Band.

Sign up for my newsletter – Get the II V I Ebook, Easy Way To Make Your Jazz Chords Sound More Interesting, Why This Is The Most Important Scale Exercise In Jazz, Simple Things To Play On A C7 That Sound Great, How To Make Your Comping Rhythms More Interesting. When you want to learn to solo over a tune you are often better off first learning the melody as well as possible.

Links in blog postings will open in a new window. You need the flexibilty when you start improvising, and keep in mind that it is about flexibility and overview not about speed when working on this. With an exercise like this you get a completely new exercise if you start on a different note, and if you keep on going it should keep mutating into new exercises, also a very healthy way to keep your ears and mind busy while practicing something as simple as arpeggios.

Dizzy Gillespie and Roy Eldridge - "Sometimes I'm ... Carl Saunders - "Blues for the Common Man", Kenny Dorham - "Like Someone In Love" (1958), Kenny Dorham - "Like Someone In Love" (1955), Kenny Dorham - "I Had The Craziest Dream", Chet Baker - "You'd Be So Nice To Come Home To", Conte Candoli - "Softly, As In A Morning Sunrise".

In the video I demonstrate how I use this principle while playing a simple solo over the progression. Blue Bossa is a great way to start improvising following the harmony because it’s a well known tune that is not too difficult.

very good - a great contribution to the Art of jazz. Banner ads will link to the MP3 download at Amazon when available. Solo. The idea is that a strong and logical sounding line will be a line that has the direction towards a clear target note. Kenny Dorham's trumpet solo on the chord changes to "Blue Bossa", Don Fagerquist - "Just The Way You Look Tonight", Don Fagerquist - "Almost Like Being In Love", Freddie Hubbard - "Survival of the Fittest", Don Fagerquist - "All The Things You Are". I’d also suggest you memorize the chords because you need that once you want to go through the exercises in this lesson. Blue Bossa is a great way to start improvising following the harmony because it’s a well known tune that is not too difficult.

In this lesson I’ll present a set of arpeggios, some exercises, target notes and strategies for making solos where you can hear the harmony in the improvisation. You have no idea how much you have poured into my husband. Kenny Dorham's trumpet solo on the chord changes to "Blue Bossa", from the Joe Henderson recording Page One.

The transcription is from the album Earfood. I’d suggest you learn the melody by heart and in as many positions as possible. pro. The idea is to start playing the arpeggios over the progression and then when ever the chord changes to continue the movement with the note that is the closest in the next arpeggio.

Transcriptions and soloing techniques for jazz trumpet players. Log in. Trumpet (In B-flat), Clarinet (In B-flat), Saxophone (Tenor), Bass (2), Piano, Drum Group.

Practicing the arpeggios in this way over the progression is a way to get closer to how you improvise, something that you should also strive after when making exercises. Your comments and suggestions are welcomed!

Let’s first have a look at the chord progression: The form is fairly easy. Dexter also […] Read the rest of this entry…

Minor changes going into a nice ii V7 I. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. In text, transcriptions link to a PDF download of the transcription.

I show a few in the video, but playing them in groups of 3 or 4 notes, skipping notes etc are good ways to get more flexible with the arpeggio. http://forum.saxontheweb.net/showthread.php?1…, Monster Berg Larsen .170 Tip Opening Tenor Saxophone Mouthpiece Review, Retro Revival “Super D” Florida Tenor Saxophone Mouthpiece Review, RPC Gold Series 110B Ultem AirBeam Prototype Tenor Saxophone Mouthpiece Review, SYOS Steve Kortyka Signature Model Alto Saxophone Mouthpiece Review.

That is the best way for me to improve my lessons and make thme fit what you want to hear.

If you have any questions, comments or suggestions for topics or how I can make the lessons better then please feel free to leave on the video or  send me an e-mail.

If you are very new to arpeggios you could do this playing the arps in 4th notes and not 8th notes so that the tempo is a bit lower in the beginning.

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